While in Cuba, two
different bookshelves became a fascination.
One set of bookshelves
was in the house of Ernest Hemingway, which was at a place called San Francisco
de Paula, just outside Havana.
The other bookshelf
was in the Museum of Napoleon in Vedado, Havana.
I couldn’t understand
the fascination. It was something
about their contrast… I thought about the well-annotated books of
Hemingway. They were in a
well-thumbed state, about 9,000 of them, on eclectic subjects and genres, amid
a house of loving memorabilia: old pieces of driftwood, sea shells, magazines,
art work, stuffed animals and even a frog in formaldehyde.
However the bookcase
in the Napoleon’s museum was in pristine condition and all the books were on
Napoleon in some way: a history, a document, a graphic account of a
battle. They looked untouched,
often gold leafed, standing behind a glass cover within a formal room of
polished wood and spotless floors and had belonged to pre-revolution sugar
tycoon Julio Lobo and about 7,000 of them.
Hemingway’s library
had an air of having been well-used.
Even though they were much younger books, they looked ‘read’ and were
loved, read, left about the house, next to the toilet, in every room of the
house. I supposed that had been
used to inspire the Nobel prize winner’s creativity, and their obvious value to
him as an avid reader.
Whereas Lobo’s library
looked more like just a collection, put there more like storage or hoarding. Because of their pristine condition,
even though they were much older, there was a sense of disuse about them: or
more that their use was to be hoarded or kept, making supply less and demand
more… or feeding an obsession. “Un
fanatico” the museum guide called him.
They were stacked like bricks of a castle wall, to hoard or imprison,
like a stash of unseen jewellery, unused, unseen.
I kept thinking about
these bookshelves, and how they both had been taken from their owners by the
revolutionaries. Lobo was an
honest sugar tycoon who was no fan of the dictator Batista but was neither fan
of the new socialist government.
After the 1959 revolution, in 1962, when asked to run the new nationalised
sugar plantations, Lobo refused and so he was exiled, leaving behind all his
assets and of course his Napoleon book collection.
Mary Hemmingway,
Hemingway’s widow (by 1961 Hemingway had died) had decided herself to donate
his house and library to the Cuban People. Though not political, Hemingway was on good terms with Fidel
Castro and the two had discussions about literature. Mary described Hemingway as selling nothing but ‘words’ and
thought he’d be pleased to give the Cuban people some of the pleasure he’d
found in his house for the last 30 years of his life, where he wrote much of
his work (including Old Man and the Sea) between 1931 and 1960.
After Lobo’s
departure, the sugar industry collapsed, with two thirds of its factories and
refineries closed. However this
was not the fault of nationalising the industry, but an embargo that took place
where countries worldwide stopped buying Cuba’s sugar because of its
‘communism’ despite the Vatican’s and the UN’s calls for the blockade to be
lifted.
But it seemed to me
that the ‘used’ books of Hemingway were like the use of capital. It can either be hoarded away and
unused, rather like the Napoleon books, or it can be spread around for
everyone’s good, like those magazines and books of Hemingway.
Use is rather like
spreading love: if you are possessive it goes off, but if you let it free it
just gets stronger.
Nationalising these
two libraries and making Cuba independent of American power was not the only
feat for Castro. He had to spread the
wealth across a nation and educate, hospitalise, feed and create jobs. Money made was given back to public
domain and Cuba now has the highest literacy rates and life expectancy in South
America, the lowest infant mortality rate (even lower than America) and basic
needs of its people are met. Like
Hemingway’s bookshelf, the wealth of the country is ‘used’. Castro ensured that all Cuban people
can reach the first level and perhaps the next of Maslow’s human pyramid: and
thus have a better chance to self-actualise.
If you think of the
‘unused’ bookshelf of the Napoleon books, this is the wealth and capital of
countries where 1 percent of the people see it while the other ninety nine
percent watches public schools, arts and hospitals deteriorate.
Fidel Castro’s feat
was a huge one and he succeeded.
His first speech, a white dove of peace landed on his shoulder, for some
this was a miraculous sign that he was a guide sent to teach the world about
something. Whatever it meant, when
bearing in mind these two bookcases, it is certainly true that in terms of the
hoarding of wealth and the capital: such cupidity bodes no good for a nation and
just like the bookcase, it is the spreading of words and the use of knowledge
that can transform a mind into a Nobel Award for literature and become a
treasure for all the people, its message living on well into the future.
Other posts of interest:
The Arabian Nights: how storytelling can nurture a love story
The wisdom of Confucius: How the I Ching can help you find the best answer
Kafka’s Metamorphosis: How Art can be as Captivating as Dream
Transformation and Victor Hugo: "To love another person is to see the face of God"
Daniel Maximin: "Poetry is Emancipation"
Katherine Mansfield: How to live life in BLISS
Other posts of interest:
The Arabian Nights: how storytelling can nurture a love story
The wisdom of Confucius: How the I Ching can help you find the best answer
Kafka’s Metamorphosis: How Art can be as Captivating as Dream
Transformation and Victor Hugo: "To love another person is to see the face of God"
Daniel Maximin: "Poetry is Emancipation"
Katherine Mansfield: How to live life in BLISS
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