“Thank you Muriel, for those special things” said Nick Cave tonight, at his concert in the Zenith, Paris, looking at a member of the audience. Well I was left at the end wondering ‘Well, who was Muriel?’ and no doubt the whole packed concert hall wondered. What special things he was meaning?
Vampire hankering for love |
I thought back over the concert, and wondered who Muriel had been. There was something different about this concert, it was true. The last one I saw was Grinderman: and there was longing... a longing for something, like a vampire, being haunted at night for something it hungered.... This concert had a new feeling. Was it during ‘From here to Eternity?’ Then ‘Jubilee Street’?
As soon as Nick
had come on, he inspired the same hoots and howls and cries as one would hear
in a bullfighting amphitheatre… something about his bull like tread, his
determined pace, and his will to get his songs sung. Something about his gold latex Elvis shirt, unbuttoned to
reveal an unhairy chest, something about the paradox of the sensitivity and
violence in his songs… the hurt and the anger…
He capered about the stage on black pipe cleaner legs, his black eyes in
a trance, his black hair falling down his back like a cloak.
The Bad Seed Band stood behind with a ghostly menace, with Warren Ellis
at his most rampaging and most whining, with violin and sometimes a flute at
its most haunting…hurrying around while Cave paced with the passion of a
Heathcliff in full sweat….
The songs crescendoed, became louder, the audience more excited, it
seemed that the next song had to be more passionate, more drums… only then,
flirtily, he came to the front of the stage and took the hands of his adoring
fans. He stood upright among the
lily long hands which waved about his waist, plucking at his belt straps, as he
was singing a song from his new album, Push the Sky away, Mermaids… something
about the unproveable being proved:
‘I believe in God,
I believe in mermaids…
I believe in rapture,
For I have seen your face
On the floor of the ocean’
The curtains at the back are velvet red and the lights bright as flames,
the effect like red hot glowing coals..
Mercy Seat plays, and the audience is a rapt rhythmic meadow of fists…
Then Nick Cave says “This is a Classic,” and we hear ‘West Country
Girl’, a song about PJ Harvey.
With Nick Cave there is a story, always a story, something about having
seen not only the devil… but also the face of god… the story of a journey … a
path,
Suddenly from being a bull ring of ruthless fans, the concert calms…becomes
intimate… you might hear a pin
drop…the Zenith, once stadium large, is small and all are silent, huddled
around Cave at his guitar. Even
the noisy caterwaulers are quietened into intent babes having stories… and
‘Into your arms’
And I believe in Love
And I know that you do
too
And I believe in some
kind of path
That we can walk down,
me and you
So keep your candles
burning
And make her journey
bright and pure
That she will keep
returning
Always and evermore
In ‘Into your arms’a gangly, wiry mover, full of thrilling shakes and
skips, Nick Cave caused an oven of pleasure, a Johnny Cash or Elvis Presley. Followed by God is in the House, Higgs
Bosun Blues, there was always the preacher
in him ‘Push the Sky Away’… words that rock and comfort… voice that is gritty
but full of emotion… sometimes screaming like a Halloween horror ghoul…
sometimes heavenly in love, a romantic… this spectrum of emotions moves the packed
Zenith.
“If you got
everything and you don’t want no more
You’ve gotta just
keep on pushing
Keep on pushing
Push the sky away’
But it’s when the audience is virtually carrying him, when he wades into
the crowd and this is when Muriel must have done the ‘special thing’. He is holding the hands of the front
row, as they reach up to him, like small children in cots.
He sang the lines:
‘Yeah,
I'm stagger lee and you better get down on
Your knees
And suck my dick, because
if you don't you're gonna be
Dead
Said stagger lee
But this must have been where Muriel came in, when he was swinging his
hips and swaggering in a hip high clump of adoring hands, for one
wouldn’t have been surprised if someone was willing to do this for him as he
basked in the love.
But no-one could fault the amusing swaggers of his groin in Muriel's direction... for it was not love given
him, but love he has given… love and humor he has inspired… for with Nick Cave, his loves
have helped him to vault those trappings and let love in big time… so the vampire in him seems soothed and fed....and by a presence of love in that Zenith tonight.
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